New York

Between 1980 and 1982 Bruno stays for long periods in New York, guest in the studio of the sculptor Mark di Suvero, that he knew in Venice in 1972. In New York, in 1981, Pinto exhibits his work at the Sutton Gallery.

Getting to know Dore Ashton, who was working on her book “A Fable of Modern Art”, allows him to understand the absolute and transcendent uniqueness of Cezanne’s work, and from that moment it becomes the cornerstone from which he formulates all his considerations about the future of the Art of Painting from Giotto to present days; a practice of painting, lived as an instrument of knowledge of the realities that are experienced in the external and internal world of the Self, and of the sense of the existing relationships between each other.

In New York he also meets Lucio Pozzi, with which he starts an intense dialogue about the contemporary artistic condition; Pozzi will then publish the contents of their meetings on his monographic magazine, called “New Observations. Art and Culture.”